Valerie Bolling

20 Questions: The It Factor

Welcome back to our series, 20 QUESTIONS!,

where we answer questions about writing, reading, and author life.

(Note that we enjoy the series so much we’ve decided to just keep the questions coming!)

This month’s question:

How do you ensure your books have that special “It Factor?” 

Hope Lim

“I don’t presume that my books have an ‘It Factor’ but one thing I hope to accomplish in my stories is the exploration of more than one thematic element. My storylines may seem simple but underneath the simplicity, a deeper meaning can be extracted and discussed. For example, SOURGRASS is about finding a way to live in hope after a difficult time of parting with a friend. At the same time, it uses spring as the context for return and renewal, while demonstrating the beauty of keeping promises and the importance of trust in relationships.”

– Hope Lim, author of Sourgrass illustrated by Shahrzad Maydani (Beach Lane Books, 2024) 


Patricia Newman

“The ‘It Factor’ is a personal connection for me and my readers. As I write I ask myself over and over, ‘Who cares?’ Once I find my inner spark of connection, I put all that passion on the page. My books tend to be persuasive, so once I find the child’s connection to the topic it’s fun to empower them to care.”

– Patricia Newman, author of Eavesdropping On Elephants (Millbrook Press, 2019)


Valerie Bolling

“My critique partners help me ensure that my books have an ‘It Factor.’ They regularly read stacks of picture books, attend webinars, and are members of writing communities. In other words, they know what makes stories pop, so their feedback is critical to helping me polish my manuscripts. In addition, I have an amazing editorial agent who adds his feedback, and I’ve been fortunate to work with editors who help me fine-tune my stories even further.  

– Valerie Bolling, co-author with Kailei Pew of I See Color , illustrated by Laylie Frazier (Harper Children’s, 2024)


Kirsten W. Larson

“I think what sets my books apart are their unique structures, which coincide with the topic I’m writing about. The story structure of Wood, Wire, Wings, the story of the first women to design an airplane on her own, follows the engineering design process. A True Wonder, a book about the invention of the comic book hero, Wonder Woman, is told in comic book format. And The Fire of Stars, a book about the woman who discovered what stars are made of, parallels her formation as a “star scientist” with the process of star formation. These unique structures bring something special to the table.”

– Kirsten W. Larson, author of The Fire of Stars, illustrated by Katherine Roy (Chronicle 2023)

20 questions: Drawing from real life versus making things up

Welcome back to our series, 20 QUESTIONS!,

where we answer questions about writing, reading, and author life.

(Note that we enjoy the series so much we’ve decided to just keep the questions coming!)

This month’s question:

What in your latest book is drawn from real life, and what, if anything, is made up?

Valerie Bolling

“In my RAINBOW DAYS early reader series, Zoya and her puppy, Coco, love to create art together. In THE ORANGE WALL, Zoya paints her room. When she finishes painting, she decides to… (spoiler alert) paint a mural on one of the walls. The idea for what she paints on that wall was inspired by my own experience. I enjoy walking in the woods, and so Zoya paints a scene of herself, walking in the woods with her dad and Coco.” 

– Valerie Bolling, author of RAINBOW DAYS: THE ORANGE WALL, illustrated by Kai Robinson (Scholastic, 2024)


Candy Wellins

“A GEODUCK IS NOT A DUCK examines the very real geoduck, the world’s largest species of burrowing clams. Pronounced “gooey duck,” a made-up news crew (comprised of a talking Sea Star, giant Pacific Octopus, and Otter) is on a mission to find an actual gooey duck. A knowledgeable crab is full of real facts about geoducks that are misunderstood again and again.”

–Candy Wellins, author of A GEODUCK IS NOT A DUCK, illustraded by Ellie Peterson (Little Bigfoot, 2024)


Margaret Chiu Greanias

In HOW THIS BOOK GOT RED, Red, a red panda, recognizes that none of the books are about her kind of panda, so she decides to write her own. In the midst of struggling with writing her story, she sees a town where red panda representation is missing: in books, in merchandise, all the way down to the doll a baby red panda holds. The idea behind this story came from my childhood growing up with very little positive Asian representation in media and books. Like the baby red panda holding the giant panda doll, the dolls I played with looked nothing like me. 

– Margaret Chiu Greanias, author of HOW THIS BOOK GOT RED, illustrated by Melissa Iwai (Sourcebooks Jabberwocky, 2023)


Hope Lim

“In Sourgrass, when Sofia and May venture out into the wild field, they nibble the stems of sourgrass and giggle. This scene came straight out of my kids’ preschool years. I chaperoned a field trip to a community garden located up on a grassy hill, and watching them smile under the bright sunshine in a field of sourgrass is one of my favorite memories from my kids’ preschool era. The two characters, Sofia and May, and the resolution of their story are made up. However, all the fun things Sofia and May enjoy in their yards and beyond come from real life. As a child, I played outside all the time, running through the fields and climbing mountains, and my kids also loved being in nature, always finding ways to have fun. I used these real-life memories of being outside in SOURGRASS.”

– Hope Lim, author of SOURGRASS, illustrated by Shahrzad Maydani (Beach Lane Books, 2024)

20 Questions: Things We Are Grateful for

Welcome back to our series, 20 QUESTIONS!,

where we answer questions about writing, reading, and author life.

(Note that we enjoy the series so much we’ve reset for a second round of 20.)

This month’s question:

What’s one thing you’re grateful for in your creative or personal life?

Isabella Kung

“I’m so grateful for the opportunity and privilege to explore and express myself in a creative way. Not only does the act of writing and illustrating fulfill me to no end, it allows me to connect with others in a way very few can–especially kids! Just seeing the little ones light up and fill with joy when they read my books warms my heart.” 

– Isabella Kung, author-illustrator of NO SNOWBALL! (Orchard Books, 2022)


Angela Burke Kunkel

“There’s a lot of overlap between what I’m grateful for in my personal life and my creative life. I’m grateful to live in a place full of natural beauty that inspires me daily. I’m grateful that my family, especially my husband, is supportive of my writing and celebrates all sorts of book-related milestones with me, large and small. I’m grateful that the words I’ve worked so hard on are then turned into beautiful art by illustrations whose talents I can’t even begin to comprehend. And I’m grateful to work in partnership with my editor, who so very carefully guides these books into existence!”

– Angela Burke Kunkel, author of MAKE WAY: THE STORY OF ROBERT McCLOSKEY, NANCY SCHÖN, AND SOME VERY FAMOUS DUCKLINGS (Random House Studio, 2023) and WORLD MORE BEAUTIFUL: THE LIFE AND ART OF BARBARA COONEY (Random House Studio, 2024)


Kim Rogers

“When I was growing up, I never saw a kid like me in a book. I am so grateful that I get to publish books that allow Native kids, specifically Wichita kids, to see themselves centered as heroes in stories.”

– Kim Rogers, author of JUST LIKE GRANDMA and A LETTER FOR BOB (Heartdrum, 2023)


“As newbie authors, we’re all tempted to seek relationships with editors and agents in pursuit of a contract. While those relationships are important, my friendships with local writers or writers I”ve met at conferences have sustained me through the tough times, motivated me, opened my eyes to new ideas and experiences, and made me a better writer. With love to all my writer-pals out there. You know who you are!”

– The Soaring 20s “collective unconscious”


Valerie Bolling

Seeing my words matched with gorgeous art to produce a book, meeting and inspiring young readers and writers, connecting with other creators who are also passionate about writing/illustrating stories for children are all things I’m grateful for. I’m also thrilled that I get to determine and manage my own schedule, which means I can make time for what’s important to me besides writing – like walking/exercising, reading, and spending time with my husband and our friends.”

– Valerie Bolling, author of BING, BOP, BAM: TIME TO JAM!, illus. Sabrena Khadija (Abrams Appleseed, 2023)