Writing Craft

20 Questions: Motivation

Welcome back to our series, 20 QUESTIONS!,

where we answer questions about writing, reading, and author life.

This month’s question:

What motivates you to write?

“Intention. Before I start a new project, I always ask the “why” question. Why do I want to write this? Why me? Once I can answer that, usually the next question that follows is– how the heck am I going to do it?!”

– M.O. Yuksel, author of ONE WISH: Fatima al-Fihri and the World’s Oldest University, illus. Mariam Quraishi (HarperCollins, 2022)


Deadlines! Even self-imposed ones. I need to feel that sense of panic sweep over me as the date draws closer. So I look to writing/drawing contests, critique group meetings, and conference dates as motivation to get stories down on paper. Otherwise they just float around in my head.” 

– Abi Cushman, author-illustrator of WOMBATS ARE PRETTY WEIRD: A [Not So] Serious Guide (Greenwillow Books, 2023)


“Taking a class. When I know I’m actually PAYING to be in a class, workshop, writing retreat, or other opportunities, I’m much more consistent about doing my homework and actually writing something. I guess my dislike for wasting money is even stronger than my urge to procrastinate.”

– Carrie Finison, author of HURRY, LITTLE TORTOISE, TIME FOR SCHOOL, illus. Erin Kraan (Random House Studio, 2022)


“A buddy! For me, writing is a practice, a daily habit. Every weekday morning, my accountability partner, Marcie, and I check in with each other at 5:25 a.m., state our creative intention, and write for at least an hour before anyone else in our house wakes up. Then we check in on our progress and celebrate it, no matter how small. “

– Kirsten W. Larson, author of THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illus. Katherine Roy (Chronicle Books, 2023)

20 Questions: Writer's Block

Welcome back to our series, 20 QUESTIONS!,

where we answer questions about writing, reading, and author life.

This month’s question:

How do you deal with writer’s block?

Darshana Khiani

“When I get really stuck, I put the story away for a while, usually at least several months. During this time I will dive into another project. This helps me get some distance from the stuck project so I can see it more clearly.”

—Darshana Khiani, author of I’M AN AMERICAN, illus. Laura Freeman (Viking, 2023)


Angela Burke Kunkel

“Something that’s been helpful for me (and I wish I knew who to give credit to) is reframing ‘writer’s block’ as creative resistance. Doing something physical or creative rather than sitting down and wrestling with my writing always helps. Taking a walk, practicing yoga, trying a new recipe, working in my garden, or learning a new craft—any or all of these helps me let go of that creative resistance and return to the work in a way that’s more open and playful.”

—Angela Burke Kunkel, author of MAKE WAY, illus. Claire Keane (Random House Studio, 2023).


Kim Rogers

“Reading always helps me through writer’s block. I find inspiration and some ideas for my own books in everything that I read.”

—Kim Rogers, author of A LETTER FOR BOB, illus. Jonathan Nelson (Heartdrum, 2023)


Valerie Bowling

“Take a walk, read, do something else. The ideas will come eventually. Also, if you keep an ongoing list of ideas (use Storystorm for inspiration), you’ll always have ways to get unblocked by focusing on a new story.”

—Valerie Bolling, author of RAINBOW DAYS: THE GRAY DAY, illus. Kai Robinson (Scholastic, 2023)


Kirsten W. Larson

“The only answer for me is to ‘give it time.’ While I wait, I read mentor texts for inspiration and let my subconscious work on the problem. Often the answer comes to me when my body is busy and my mind is wandering, like on a walk, in a shower, or while doing yoga. With enough time—sometimes years!—an answer often comes.”

—Kirsten W. Larson, author of THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illus. Katherine Roy (Chronicle, 2023)

20 Questions: Revision Tips

Welcome back to our series, 20 QUESTIONS!,

where we answer questions about writing, reading, and author life.

This month’s question:

What’s your best revision tip?

Abi Cushman

“For picture books, make a dummy. That way, it’s easier to see what words can be cut (or need to be cut) because you’re thinking about the story in scenes. I examine each spread and each page turn and make sure they’re packing as much punch as possible.”

—Abi Cushman, author-illustrator of WOMBATS ARE PRETTY WEIRD (Greenwillow Books, May 2023)


Margaret Chiu Greanias

“Zoom out. Sometimes stories can get off track, and pitches (three to four lines that capture what the story is about) can help focus on the big picture vs. the small details. When I get stuck or once I’m done, I compare my manuscript to my pitch (or come up with a pitch if I haven’t already) and make sure that what I’ve written fulfills its promise.”

—Margaret Chiu Greanias, author of HOOKED ON BOOKS, illus. Krystina Litten (Peachtree Publishing, June 2023)


Angela Burke Kunkel

“I like to print out my manuscript and cut it up—either line-by-line or paragraph-by-paragraph. Then I’lI paste the lines into a 32-page blank book. The physical action of cutting up the lines, arranging them, and then needing to rearrange them gets me out of my head and helps me make further cuts (as well as think about pacing and page turns) in a more hands-on way.”

—Angela Burke Kunkel, author of MAKE WAY, illus. Claire Keane (Random House Studio, April 2023)


Lindsay H. Metcalf

“Don’t try to revise until you have a complete draft. I’m putting this in writing to remind myself as much as anyone else, because I’m an editor at heart. Give yourself permission to write a messy first draft, beginning to end. That way you can fully switch to editing mode without derailing progress.”

—Lindsay H. Metcalf, co-editor with Keila V. Dawson and Jeanette Bradley of NO WORLD TOO BIG: Young People Fighting Global Climate Change, illus. Jeanette Bradley (Charlesbridge, March 2023)


Valerie Bolling

“I’m a fan of possibilities. I believe in writing several options for a beginning or ending or another part of the story and asking critique partners to weigh in on what works best. Sometimes the best revision involves combining two or more of the options.”

—Valerie Bolling, author of RIDE, ROLL RUN: TIME FOR FUN!, illus. Sabrena Khadija (Abrams, 2022)